The Hiroshima Peace Memorial Museum, located in Hiroshima, Japan, opened on August 24, 1955. The museum, designed by architect Kenzo Tange, features a modernist design with a stark, minimalist aesthetic. It is dedicated to documenting the devastation caused by the atomic bombing of Hiroshima and promoting a message of peace. The exhibits include artifacts, photographs, and personal stories of the bombing’s survivors, emphasizing the need for nuclear disarmament and global harmony.

In the second presentation of The Robert E. Meyerhoff and Rheda Becker Biennial Commission, multimedia artist, performer, and musician Raúl de Nieves invites visitors to explore the wonder, beauty, and chaos of the natural world through the themes of emerging and becoming.
Born in 1983 in Michoacan, Mexico, and based in Brooklyn, de Nieves learned traditional Latin American sewing and beadwork in school and alongside family members, and uses those approaches in his work, which pays tribute to his family, his homeland, and Mexican folk art. He also accumulates and adorns every surface of his sculptural figures—both human and animal—to create fantastical creatures immersed in deeply narrative environments, imbued with both Catholic imagery and Mexican folklore motifs. The embellished figures also refer to another central tenet of de Nieves’ aesthetic: self-expression within queer club culture, such as the glitter and glitz of drag pageants.
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